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The central reason for the play's eminence is the character of Hamlet. His brooding, erratic nature has been analyzed by many of the most famous thinkers and artists of the past four centuries. Johann Wolfgang von Goethe described him as a poet - a sensitive man who is too weak to deal with the political pressures of Denmark. Austrian psychoanalyst Sigmund Freud viewed Hamlet in terms of an “Oedipus complex,” an overwhelming sexual desire for his mother. This complex is usually associated with the wish to kill one’s father and sleep with one’s mother. Freud points out that Hamlet's uncle has usurped his father's rightful place, and therefore has replaced his father as the man who must die. However, Freud is careful to note that Hamlet represents modern man precisely because he does not kill Claudius in order to sleep with his mother, but rather kills him to revenge his father’s death. Political interpretations of Hamlet also abound, in which Hamlet stands for the spirit of political resistance, or represents a challenge to a corrupt regime. Stephen Greenblatt, the editor of the Norton Edition of Shakespeare, views these interpretive attempts of Hamlet as mirrors for the interpretation within the play itself - many of the characters who have to deal with Hamlet, including Polonius , Claudius, and Rosencrantz and Guildenstern , also develop theories to explain his behavior, none of which really succeeds in doing so. Indeed, nothing sure can be said about Hamlet except that it has been a perennial occasion for brilliant minds to explore some of the unanswerable questions of human existence.

It is evident that magazines for young men do include stereotypical images of both men and women. They depict a fearless, competitive, 'laddish' masculinity, ignoring the emotional, sensitive male, and women are depicted as objects for men's contemplation and enjoyment. But it should be remembered that Stereotypes can be seen as an unavoidable part of mass media representation. Further these magazines are merely trying to entertain the reader, they are not seriously on a crusade to return to a pre-feminist ideal, or to harm anyone in an attempt to provide entertainment. Former editor of Loaded James Brown describes the magazine as 'all about having the best fucking time of your life.' [31] Further, the inclusion of sexist material and stereotypical images are enjoyable to the reader but are not likely to change their attitudes towards society. The readers have the power to reject such material and are able to make their own, individual meanings from the messages within men's magazines. Therefore, men's magazines can be seen merely as entertainment for, and an escape for, the heterosexual male.
 

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