Essay armut in deutschland

Tate’s replica was included in the inaugural displays of Tate Modern in 2000, and in 2004 Fountain topped a poll of 500 British art experts as the single most influential artwork of the twentieth century, ahead of Picasso’s Les Demoiselles d’Avignon 1907 and Andy Warhol’s Marilyn Diptych 1962. Simple in form but rich in metaphor, the work has generated many interpretations over the years, and continues to be seen as a work that challenges – or, at the least, complicates – conventional definitions of art. In his introduction to his 1989 book-length study of the work William Camfield acknowledged the ‘staggering’ quantity of material written about the piece but noted that, despite the wealth of scholarship,

On January 4, 2006, while on display in the Dada show in the Pompidou Centre in Paris, Fountain was attacked by Pierre Pinoncelli , a 76-year-old [27] French performance artist, with a hammer causing a slight chip. Pinoncelli, who was arrested, said the attack was a work of performance art that Marcel Duchamp himself would have appreciated. [28] In 1993 Pinoncelli urinated into the piece while it was on display in Nimes, in southern France. Both of Pinoncelli's performances derive from neo-Dadaists ' and Viennese Actionists' intervention or manoeuvre . [ citation needed ]

Essay armut in deutschland

essay armut in deutschland


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